A new series in glass by internationally-renowned, Naarm-based First Nations artist, Maree Clarke (Mutti Mutti/Wamba Wamba/Yorta Yorta/Boonwurrung).
Artist in conversation and exhibition publication release event: Saturday, O6.O7.2O24, 12 – 1pm. Maree Clarke in conversation with arts leader, advocate, curator and writer, and author of the exhibition catalogue essay, Kelly Gellatly.
Image credit: Eugene Hyland
Maree Clarke |
Wurneet buath (river reed) vessel #1
2023
blown Murrini and incalmo glass
48.5 x 10 x 10 cm
The artist’s most ambitious glass project to date – the culmination of residencies across the State of Washington, USA and Canberra, Australia – this unparalleled exhibition is an in-depth exploration of the medium of glass and its seemingly endless possibilities in re-thinking and re-presenting cultural materials and objects in transfixing new ways.
Maree Clarke |
Wurneet buath (river reed) vessel #7
2023
blown Murrini and incalmo glass
46.5 x 10.5 x 10.5 cm
Maree’s award of the esteemed $6O,OOO Melbourne Prize for Urban Sculpture in 2O23 facilitated the production of the hero work for this exhibition – a 3 metre-long canoe comprised of 2O suspended glass sections patterned with microscopic river reeds in Murrini glass.
Maree Clarke |
Murrini Canoe
2024
hand cut and finished, blown Murrini glass, stainless cables
300 x 30.5 x 17 cm, suspended height variable
Maree Clarke |
Wurneet buath (river reed) vessel #2
2023
blown Murrini and incalmo glass
55.5 x 10 x 10 cm
Maree Clarke |
Wurneet buath (river reed) vessel #3
2023
blown Murrini and incalmo glass
59 x 10 x 10.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #4
2023
blown Murrini and incalmo glass
55.5 x 10.5 x 10.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #5
2023
blown incalmo glass
50.5 x 10.5 x 10.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #6
2023
blown Murrini and incalmo glass
46.5 x 10 x 10 cm
Maree Clarke |
Wurneet buath (river reed) vessel #8
2023
blown incalmo glass
43 x 10.5 x 10.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #9
2023
blown incalmo glass
41.5 x 9.5 x 9.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #10
2023
blown Murrini and incalmo glass
53.5 x 10.5 x 10.5 cm
Maree Clarke |
Wurneet buath (river reed) vessel #11
2023
blown incalmo glass
30 x 10 x 10 cm
Maree Clarke |
Gurrong (river reed canoe) #1
2023
hot sculpted glass
68 x 9 x 17 cm
Maree Clarke |
Gurrong (river reed canoe) #3
2023
hot sculpted glass
70 x 10 x 20 cm
These beautiful sculptural objects speak of the fragility of Indigenous knowledge
and ways of being and of the extraordinary power and resilience of First Nations
culture. Like the chimerical nature of glass, Clarke remains open and receptive to a
kind of imaginative shapeshifting within her work, and it is from this ability and
practice that she so ably facilitates a continuation of cultural stories and memory.”
— Kelly Gellatly
Maree Clarke |
Gurrong (river reed canoe) #2
2023
hot sculpted glass
80 x 10 x 14 cm
Maree Clarke |
Gayaam (Murrini broad shield)
2024
fused and polished Murrini glass, acacia
85 x 24.5 x 10 cm
Maree Clarke |
Gurrong (river reed canoe) #4
2023
hot sculpted glass
70 x 9.5 x 9.5 cm
Maree Clarke |
Gurrong (river reed canoe) #5
2023
hot sculpted glass
70 x 9.5 x 9.5 cm
Maree Clarke |
Gayaam (Murrini broad shield)
2024
fused and polished Murrini glass, acacia
88 x 23 x 10 cm
Maree Clarke |
Gayaam #2 (broad shield)
2023
hot sculpted glass
79 x 20 x 15 cm
Maree Clarke |
Gayaam #4 (parrying shield)
2023
hot sculpted glass
65 x 10 x 14 cm
Maree Clarke |
Gayaam #1 (broad shield)
2023
hot sculpted glass
61 x 10 x 15 cm
Maree Clarke |
Gayaam #3 (broad shield)
2023
hot sculpted glass
62 x 17 x 10 cm
I just think it’s so important to pass on cultural knowledge. It’s who you are, it’s
where you’re from, it’s part of you, it’s part of me. And the only way that I can do
that is through art.”
— Maree Clarke
Maree Clarke |
Gayaam #5 (broad shield) 2023-2024
hot sculpted glass, acacia
59 x 19 x 10 cm
Maree Clarke |
Gayaam #5 (broad shield) 2023-2024
etched hot sculpted glass, acacia
53 x 11.5 x 10 cm
Maree Clarke |
Gayaam #6 (broad shield) 2023-2024
hot sculpted glass, acacia
68 x 17.5 x 10 cm
Maree Clarke |
now you see me: seeing the invisible 3.1 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.2 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.3 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.4 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.5 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.6 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.7 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.8 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.9 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.10 2023-2024
cera
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.11 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.12 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.13 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.14 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.15 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.16 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.17 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Maree Clarke |
now you see me: seeing the invisible 3.18 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
In 'In the flicker of light', Clarke concentrates entirely on this [glass] medium – calling
upon the extraordinary depth of knowledge developed through her years of
studying historical cultural material in museum collections and archives to envisage
a new body of work that recreates cultural artefacts in glass.””
— Kelly Gellatly
Maree Clarke |
now you see me: seeing the invisible 3.19 2023-2024
ceramic-based ink cured in toughened glass
35 x 35 x 0.6 cm
Acknowledgements:
Aimee Frodsham, Artistic Director, Canberra Glassworks
Gaffers: Annette Blair and Tom Rowney at Canberra Glassworks
Gaffers: Gabe Feenan at Tacoma Museum of Glass
Gaffers: Annette Blair and Dan Friday at Pilchuck Glass School
Melbourne Prize Trust