Tjunkaya Tapaya OAM

Tjunkaya grew up at the Ernabella Mission. In mission days, the building which is now the art centre was originally used as a food hall by the missionaries. In 1948 it became the Craft Room, where the first work was made by women, spinning wool and rug making. Most of the senior artists paintng on the APY Lands today have passed through this building across more than one of its incarnations.

Tjunkaya began work in the Craft Room making weavings, later excelling in the medium of batik, and became one of the outstanding artists with work in several public collections. Her work was featured on the cover of Judith Ryan’s ‘Across the Desert: Aboriginal Batik from Central Australia.’

Tjunkaya also works in ceramics, tjanpi, punu (wood), print making, spinning and mukata (beanie) making and her work in these mediums has been seen in numerous exhibitions in Australia and internationally and in public and private galleries since 1971. Her works are held in many national and international collections, including the National Museum of Scotland, National Museum of Australia, National Gallery of Australia and the Museum of Ethnology, Osaka.

Since 2O15, Tjunkaya has chosen to concentrate on painting, ceramics and tjanpi sculpture. This focus has seen her become one of the most in demand female artists on the APY Lands and increasingly recognised in these mediums. In 2O1O and 2O11 she was collected by Artbank, and in 2O11 and 2O12 selected as a finalist in the Togart Contemporary Art Award. In 2O12 her tjulpu (bird) tjanpi sculptures were selected for exhibition in the National Aboriginal and Torres Strait Islander Art Awards (NATSIA, the Telstras). 2O11 marked the commencement of Tjunkaya’s 5th decade of working at Ernabella Arts. In 2O21, Tjunkaya’s ceramic was a finalist in the NATSIA Awards.

Tjunkaya was on the Board and the Deputy Chair of Ernabella Arts, and the leader of the Nintintjaku Project, an inter-generational teaching project working with Ernabella Anangu School and the Ernabella NPY youth team. Tjunkaya was a prolific writer in Pitjantjatjara and developed a bi-lingual children’s book. She has essays published in a number of exhibition catalogues, including the Desert Mob 2O17 and the the 2O17 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art.

In 2O16, Tjunkaya took part in a collaborative project, a tjanpi (woven) sculpture called Minyma Tjirilyanya Ngaltujara Pikatjara (Echidna Woman Hurt and Sick). This tells an ancient story of the Echidna Woman. This work was listed as a finalist in the National Aboriginal and Torres Strait Islander Award.

In 2O18, Tjunkaya’s life’s work as a representative for her people, an artist and a writer was recognised and she received the Gladys Elphick Award for Lifetime Achievement.

In 2O2O Tjunkaya was awarded an Order of Australia, General Division in the Queen’s Birthday Honours.